From David Lynch’s eerie photographs of Berlin to a survey of high art and pop culture in the 90s, and Wolfgang Tillmans’ ‘light contaminations’, here are ten exhibitions for your radar this year
‘The chance that my fellow Greenlanders might go from one cruel coloniser to another is too brutal to even imagine,’ Björk posted on Instagram, as the US continues to threaten to annex the Arctic isla...
From Bad Bunny headlining the Super Bowl Halftime show to Beyoncé’s rumoured rock album, we break down the music moments set to break the internet in 2026
A love letter to (human) nail techs, and what we stand to lose if we automate beauty services
Featuring Prada, Willy Chavarria and Jonathan Anderson’s Dior couture debut, these are the only shows you need to see
Joyce Kozloff’s tenacious spirit, Nina Katchadourian’s eccentric universe, Linda Mussmann’s political stance against passivity, and more.
The residency program awards 17 visual artists a year of rent-free studio space in New York City. Applications are due by January 15.
Bill Rice’s depictions of New York’s Lower East Side are paradoxes of bleakness and sensuality, gloom and intrepid spirits.
Olga de Amaral’s refined material spectrum, Marianne Vitale’s tainted minimalism, Marina Stern’s architectural precision, and much more.
The suspect reportedly climbed the bronze sculpture and broke off the French heroine’s weapon with a snap.
Though it offers little in the way of Sargent’s artistic engagement with the city he called home for a decade, “Dazzling Paris” is a reminder of his uncommonly skillful brushwork.
Artists and art workers in the diaspora shared a mix of emotions, from hope of a better future to anger over the unsanctioned intervention and fear of what’s to come.
Responses from Venezuelan Artists to the US attacks, shows to see in Los Angeles and Upstate New York, and someone stole Joan of Arc's sword in Paris.
Is there any real rivalry in Tate Britain’s Turner & Constable: Rivals & Originals, or is it a PR exercise to lure us through the door?
Without didacticism, Sandra Vásquez de la Horra makes visible the connection between the exploitation of the natural world and the subordination of women.