I meet Wesley Joseph at the Barbican on a snowy January morning. Quickly talk turns to the new Timothée Chalamet flick Marty Supreme as we settle into our seats. I mention that it seems to have been divisive – was the titular lead ruthless or just driven? “Nah, my brain works the same way so I totally get it,” responds Joseph. It was only as the conversation progressed that I truly graspedhellip;
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